Posts in theater
Happy Tony Day!

Technically it's probably "Happy Tonys Day," but that sounded rough on the ear, and I'm a stickler for arbitrary rules I make up for myself based on random fictions.

I saw exactly two nominees this year: The Band's Visit (best musical) and Travesties (best revival of a play). Both should win, because I chose them, but I suppose the world does not work that way. And what are prizes for artistic endeavors anyway? Darts on a pinboard. Yet both are worthy of audiences—smart and weird and unexpected, a little off balance, wise and world weary. Both felt resurrecting, somehow. A balm for the spirit.

It's no secret that I fell out of the habit of going to the theater over the past few years, or simply grew jaded and old and crabby. I could say that theater isn't what it used to be, but when has it ever been? And of course I mean Broadway, which is a very specific business venture, and not theater in toto. I saw a local production of Hairspray last night, and it was delightful. It was exactly what it needed to be, which is alive. Theater exists because we the people in the dark, and they the actors on the stage—not to mention the creators, the designers, the producers, the crew—keep saying yes. Only and always yes.

+ a few snaps from a previous Happy Tony Day party, flip phones at the ready:

Lastly, and just because, 2018 is the 45th anniversary of the Original Broadway Production of A Little Night Music, and you know how we feel about that. Never have I ever loved anything more than the cast of bumbling boobs who make up this glorious show. It is my shining star and guiding light. Pay heed!


These daily posts are somewhat...unfocused, aren't they? THE END.

theaterKari GComment
What we remember

We're having a snow day at work—l-i-t-e-r-a-l-l-y—and I'm tired of packing & thinking about leaving so I'll just post links to some of my important thoughts on the theater I've seen during my 11 years here and will remember dearly forever & always. THANK YOU FOR TAKING MY MONEY & GIVING ME RICHES, NEW YORK CITY! Thanks for making it worth the dream.

Liza's at the Palace!

Adding Machine - Minetta Lane

Follies - Encores!

Ruined at MTC

Eugene Onegin - Met

La Rondine - Met

The Mystery of Edwin Drood at Studio 54

A Small Fire at Playwrights Horizons

Dear Elizabeth at Women's Project Theater

Jacques Brel Is Alive and Well and Living in Paris - Zipper Factory

God of Carnage @ the Jacobs

In the Next Room (or the vibrator play)

One of many (so many!) Betty Buckleys

Sunday in the Park with George at the Hudson

Passion at Classic Stage Company

Another Sondheim celebration

Sondheim: the birthday concert

And of course one to rule them all: Mary Stuart at the Broadhurst

theater, NYCKari GComment
What we keep
Let us never forget why I moved to New York.jpg

I wanted to toss these but can't do it. I firmly believe in not clinging to physical items for purely sentimental reasons but my heart is here, in all of them. My favorite times in this city, with my friends, are in the memories printed on these tickets.


I went to see CATS tonight, then came home and fired up some pizza rolls, and now I want to share some thoughts.

a) Is it a common feature of CATS that the audience is invited onto the stage at intermission? Because that happened at these CATS. And while I’m not saying the stage is a sacred space, exactly, it is—to me—a space that holds, or should hold, at the very least, some reserve of magic, so I found this to be a frankly grotesque spectacle: a bunch of grubby lookers up there snapping selfies and pawing at Old Deuteronomy. I’d feel better if it were some famous CATS gimmick that only true CATS aficionados are informed of beforehand, I guess. If you are this CATS fan with underground info, do tell.

b) CATS is not a very good show. Empirically, I mean. And I say this as someone who adores Mamma Mia, which I will admit to you is also a bad show. But this was like 45 very loud, repetitive dream ballets strung together when one dream ballet is already too many. I really only liked Mr. Mistoffelees, which is akin to saying I like Santa Claus. Lame. But that CAT’s coat really sparkled.

c) They ain’t kidding with that title.

d) When they reached the 11 o’clock number (you know the one I mean), it 100% did not fail. The CAT who performed it (Mamie Parris) certainly did it justice but I kept thinking what it would have been like to sit up in the mezzanine at the Winter Garden all those years ago and hear Betty Buckley—whose voice can light your hair on fire on a slow day—lift that thing into the rafters. I did hear her sing it at City Center once, at a benefit concert that also featured Donna McKechnie and Deborah Gibson, so it’s not too far off. However, she did not come dressed as a CAT. Ah well.