Well I'm determined to keep going even though I'm exhausted (by life & more, etc.) and have nothing to say. It's been 14 years since I started and I'm sure as shit not going to quit, but this is what blogging has become now. Sorry. You had it pretty good for a while there.
The song I listened to the most
I have to be honest, it was this:
I recently finished reading Carl Wilson's book Celine Dion's Let's Talk About Love: A Journey to the End of Taste and found this unexpected and charming connection to Meatloaf explained a lot about the world of Celine:
Answering complaints about her records being “overproduced,” Dion has very smartly said that to her, that’s “not a bad thing—it’s a big thing, it’s big time, it’s Gone with the Wind.” I’m with her when we’re talking about the kind of overproduced she gets out of Meatloaf collaborator Jim Steinman, pedal-to-the-heavy-metal numbers like “It’s All Coming Back to Me Now” from Falling Into You.
Gone with the Wind? Of course she's bananas. I'm not sure we're surprised. But how normal are you and on what are you basing that assessment? So after reading this I had to listen to the album version of this song 85,000 times. It's appropriately Meatloaf-sized (over 7 minutes long!), bombastic, and genuinely insane, all of which are high markers of quality for me, ear-wise.
Some things I read
🔗 An ode to cassette tapes: "You know what you forgot? How you just have to hit play and wait until the side ends. And how that side was made for only half of your listening experience—not infinite aural time. And the other half, if you flip the tape over, is like, another half of that album. Mind=blown. It’s different, but the same."
I made a mixtape in high school that was just a loop of "Total Eclipse of the Heart" on one side and a loop of "Jessie's Girl" on the other. In case you thought my cheeseball tastes were a new development to worry about or anything out of the ordinary.
🔗 "Would You Rather Be The Last Days Of Summer Or The First Days Of Fall?": "I think you still have to believe good things can come, like sweaters. Maybe you’ll get a new sweater you like. You’ll get to walk around drinking coffee in your sweater. Reading a book around fall foliage. Maybe something exciting will happen to carry you through winter; you don’t know. A new romance. A new job. A new baby, though for that one you probably would’ve seen it coming. It’s possible. Everything will feel new again before it feels old again."
Observed from a Podcast
🔗 "You can either feel uncomfortable growing or you can feel uncomfortable stagnating.” – The Life Coach School with Brooke Castillo
I briefly considered adding this podcast to my usual rotation but this woman seemed glued to the notion that earning $100 million dollars a year is inherently noble as a life goal, and I can't take anyone seriously who thinks that's worth striving for or achieving, or even spending time thinking about. It's like saying "I'd like to smoke 85 cigarettes during a round of frisbee golf while a baby goat shoots darts at my head." It's just nonsense words strung together. Good luck if that's what you're into but I'd rather take life advice from people who make weird art or write cool blog posts, or watch soap operas.
Something about soap operas
Blake Wandesforde in Soap Opera Confidential really nails who I am:
Thanks to All My Children, to One Life to Live, to General Hospital, I was immersed in the language of operatic approach. Rather than learning to control my story, I was learning the language in which to tell it. It is a tongue made up of the forgiving, soulful words of encouragement. I was learning less about romantic love and its potential for loss, and more about romanticism and its power to soothe and comfort. I was learning the oft-dismissed utility of sentiment. Delusional, maybe, but it gets you back on your feet. Life isn't a job for journalism. When your bootstraps are out of reach, it is the yarn spinner who will tell you how beautiful it is to run barefoot. The yarn spinner will backlight you, rub your lens, and cue the strings. The women in Pine Valley and Llanview and Port Charles never stayed down for long. Nor did my mother. A good raconteur needs not only the quixotic urge to explore and create, but also the publicist's compassionate spin when things fall apart. It is how we care for ourselves. Not by avoiding romance, but by bathing in it. The romantic discovers there are no happy endings and sees possibilities through the vocabulary of resilience, elasticity, and silver linings. This language is a gift.
Plus that name "Blake Wandesforde" sounds like she stole it from a soap opera.
A clip from General Hospital
Circa 1987: Alan has amnesia and wants a divorce! Watch at 5:15, where Monica orders a martini at a restaurant and he asks the waiter if they have lemonade.
Last night whilst lying in bed—i.e., sleeping— I was awakened by a noise coming from upstairs, in the loft, some THING or some BODY moving around, so I did what any sane person would do: I grabbed a weapon out of the shoe basket by the front door (a Birkenstock, weighty) and crept up the steps in the dark to check inside the closet. Long story short, it was devoid of murderers. But for some reason the stupid wi-fi printer had decided to install some software updates proactively and then reboot itself, loudly, so I was free to print a few vital documents at 2:37 a.m.
A photo of a dog I liked on instagram
One thing I did
Quit Twitter. It was about time!
Your weekly Bruce
My boy is not too cool to sing with Sting, who's looking florid and consumptive as usual: